A few days ago, I published an interview with theologian and author Anthony Bartlett about his book Virtually Christian. If you want to get an idea of where he’s coming from theologically, it would be best to go back and read that interview before you move onto the rest of today’s post. That will also save me repeating my mini-biography of the author. Go on, read it: I’ll wait for you.
Today’s post is a follow-up interview based on another book of Tony’s, titled Pascale’s Wager: Homelands of Heaven. This book is a very different animal from Virtually Christian, the most obvious difference being that it’s a novel. Perhaps the easiest way for me to give you an idea what to expect is to quote the synopsis found on the book’s back cover:
Cal and Poll belong to a world of brutal cold, relentless routine, and hi-tech religion. They live in the frozen Homeland, the artificially engineered last-stand of humanity on an earth wrecked by storm and flood. While cal tries to block out her world, Poll continually questions it. He is drawn instinctively to the remote young woman, believing she alone has the abilities to help him get answers. Very soon the two of them are pitted against the old order, demanding to know the truth even if it turns their whole existence upside down. Step by step their journey of discovery brings them to a dramatically different place, beyond anything they could have imagined…
Pascale’s Wager is a bold and unusual book, for at least a couple of reasons. First, while there is no shortage of post-apocalyptic fiction, this book is set in a future world that is both dystopian and utopian. Second, it’s written by a theologian, and so works on two levels: the narrative itself, which is quite self-contained, and the deeper meanings that are illustrated and explicated through that narrative. It is at this second, deeper level that Pascale’s Wager gives the reader much to ponder; I found it to be in some sense a social, theological, anthropological and spiritual commentary on the world and its future trajectory. If you like futuristic science fiction with a difference, I’d encourage you to give it a try.
Anyway, enough from me. Let’s get to the interview.
Rob Grayson: Thanks for being willing to answer some more questions, this time about Pascale’s Wager. First, I’m interested in how you found the writing process. Having previously written theological non-fiction, what gave you the idea of writing a novel?
Anthony Bartlett: The thing about Pascale’s Wager is that it says more than I can think, or think logically, if you see what I mean. A story works on many levels, and some of them may not make complete sense in a standard sort of universe. But that’s okay because you go with them for the sake of the larger picture they make possible. As Picasso said, “Art is a lie that makes us realise the truth”. It is this larger picture I was interested in (and still am), and at this level the picture exceeds what you can express in strict propositions. For me PW has the excitement and thrill of opening a space you hardly know exists and yet in some way you do know otherwise you would not write it. Writing in this way is completely different from writing formal theology. But, at the same time, it is deeply related to theology. Theology is about something you cannot see directly with your eyes, although you see evidence of it in many different ways. A story like PW can suggest to the mind’s eye a theological truth that reason and even rhetoric would struggle to present. So, having done some of that other kind of writing I decided to turn to fiction as a way of communicating. I thought, “If you let your imagination almost out of control, or just this side of the impossible, then something new can become visible”. At the same time the story has to stand up, it has to work. In fact it is only in writing a successful story, one that draws you in and fills your senses, that the opening up of a new space becomes possible. Continue reading